New Powers Article: "What Does Fiction Know?"

Powers taught a course in Berlin this past Spring, exploring the collision of fact and fiction in writing, and this is his report from the front lines.

My students have swallowed every bastard hybrid genre I’ve thrown at them. Fictocriticism, mockumentary, staged reality, Borgesian simulated lectures, psycho-journalism, unattributed sampling, hip-hop mashup, real actors playing imaginary authors making pixelated media appearances while selling brutally frank memoirs filled with the slightly altered real-life experiences of some other, dissembling author. My sales pitch has worked so well with this group that, by the end of the semester, I’m appalled at what I’ve unleashed. James Frey, J. T. LeRoy, lonelygirl15, COPS and Survivor and America’s Next Top Model: bring it all on, my German students say. The blurrier the better. They have grown up in a world that laughs at the very distinctions that I’ve come here to challenge, and in class, they regard me with affectionate pity for my quaint belief in the existence of boundaries that a writer might still hope to exploit by transgressing.